Tuesday, 12 February 2013

Marianela Nunez rehearsal


I'm posting this as an example of obsessive orchestrated synchronisation of sound, movement, body and rhythm. I've found the rehearsal video after I saw the piece live at ROH. I'm more interested in rehearsal compared to live perfromance as it reveals sensitivity of synchronisation through choreographer's counting and directing. I think I'm quite obsessed by relationship of details that are carefully looked after.

Dance notation.
Micro attempts can't go more exact and anal than this. This quality is also seen in martial art, calligraphy, and playing an instrument. In all of them performer is conscious of her minor moves but action is executed through an atomicity which is result of practice. I think It is a self critical task as there's no end to how 'perfect' one can be with body.



Perforative choreography in tea ceremony! This is not only tea to drink, but also to feel through all senses and most importantly performer make you wait for the final aimed pleasure, drinking. Keeping one waiting to give pleasure is fetishistic in a way. 

No comments:

Post a Comment