BABEL, Sidi Larbi

I'm interested in new space created by movement of minimal set here, which is done by British sculptor, Antony Gormley. The relationship of moving space with performers has created a magical quality to it. However choreography isn't satisfying. Any entertaining artefact that isn't subtle or layered with meaning/criticism is out of my horizon. I think I admire comedy-noire as it keeps the drama and it respect audience intellect and intelligence.